[...] The exhibition at VIS is entitled dense cloud, which refers to a computer-generated process that transforms two-dimensional images into three-dimensional models. Wessel uses such techniques to intersect real and virtual space. In this manner, the video shuffle presents VIS as a 3D-animation, turning the space into a virtual stage for banana-eating monkeys. The video’s soundtrack references the internet hype ASMR and thus to clips that aim to evoke relaxation by means of noises such as the crackling of cellophane, the scratching of an ink fountain pen on paper, or mouth-smacking noises. [...] Where Wessel reflects the marketing of feelings, he does so to question the artificial production of needs and meanings. Wessel thus appeals to a form of perception that eschews economic appropriation and political channeling. For, according to Hito Steyerl, an “insurrection against an Empire of Senses that tries to purge all difference by means of a dictatorship of affect and noise” is necessary.

Nadine Droste | dense cloud
VIS | 2018